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故事发生在明朝年间。少镖主王振威（周群达饰）这日接到陈震南（安瑞云饰）将军的镖书，要他将爱女盈盈（徐自贤饰）和聘礼护送至远在边关的北齐王处，那边的世子将迎娶性格孤傲的盈盈，不明就里的盈盈跟着护镖的一干人马踏上了征程。出发不久，遇上了劫色的一伙叛军，他们想挟盈盈做人质，逼迫其父陈震南退兵，在王振威、副将李峰（任天野饰）、沈飞燕（吴晓敏饰）的保护下，总算杀出重围。行进中盈盈无意间发现了箱子里的凤冠霞帔，这才明白此行是父亲要把她嫁给一个自已不爱的人，她声泪俱下地质问和她早就相爱的李峰，并提出要与其私奔。李峰有苦难言，而王振威则看出了盈盈有要逃走的迹象......

　　幕府末期，群雄并起，日本上下动荡不安。在英豪辈出的时代，坂本龙马以其卓越的气魄和超前的思想在历史中占有一席之地。影片则主要描述坂本龙马被暗杀前最后两日的生活。
　　庆应三年十一月十三日，京都下着冰雹，坂本龙马（原田芳雄 饰）栖身于海援队经常落脚之地近江屋。“大政奉还”后局势愈加不稳，此时的坂本已被佐幕派和勤王派双方视为危险人物。无所事事的坂本与妓女厮混，更因手枪不慎走火引来刺客。昔日好友中冈慎太郎（石桥莲司 饰）和萍水相逢的右太（松田优作 饰）放下屠刀，与坂本结为挚友。慎太郎因此入狱，坂本与右太将其救出。后右太被杀，坂本与慎太郎密商逃亡之事的午夜，死神的罗网却已悄悄张开……

　　黑帮继承人之间为了争夺下一任社团领袖之位在地底展开厮杀，却引出某种未知的生物,这是作家夫妻二人笔下的故事，也是他们现实生活的映照，小说中的角色要在虚构的世界对抗未知的怪物,而作家夫妻二人能否在真实世界对抗已知的痛苦?一切,都交给爱去解答。

　　《红色警戒》是一部有关缉毒题材的悬念动作影片，故事取材于永泰一个农村家庭发生的真实故事，并在福州大量取景。主角王力因童年阴影，从警校退学后当外卖员，因兄弟孙昭和女友白美丽而卷入毒奶茶事件，发现竟与19年前父母的死有关，最终他战胜自己的恐惧心理，成为继承父亲遗志的一名缉毒警察。

《危急营救》剧情讲述了成龙和兄弟大力是卧龙山的两个穷小子，为了生活，二人决定去城里发展，二人去城里以后做起了帮忙要账的工作，无意中卷入一场家族绑架案，兄弟俩凭着自己未泯的良心，没有向金钱屈服，最终惩治了头目并解救了小女孩依依。两人也从替人要债的地痞，转变为“知荣知耻的新人”。影片主题鲜明，立意明确，人物之间的矛盾冲突强烈，通过喜剧演员与特型演员的演绎，故事有嬉笑怒骂的冲突，也有感动流涕的情节，多条线索交织，整体轻松，有颇多逗趣之处。

　　影片由一个少年学艺、为父报仇的故事展开，发展为一个抗击恶势力、维护家人利益的励志故事，主角叶少侠在尚武镇历尽艰辛吃尽苦头，最终成为一代大师。剧中人物以喜剧表演风格将影片维持在一个轻松氛围中，所塑造的叶少侠行为上除了体现中国儒家传统的忠孝仁义等优秀品质外，还带有西方泊来的平等博爱等观念的影响。而叶少侠初期自身缺点——争强好胜的少年心性，也让他在励志学武过程中更加的赋予人物色彩。过程中武艺精进，实则是少年心性的塑造，开始的一心复仇，到了影片的后半部分更多的是迫不得已才出手，保卫“家人”而出手，复仇的情节早已在人物成长中有所释怀。影片对反派的恶丝毫不留情面，反派所代表的外邦势力，更能让人感受到故事发生时期人民所受的屈辱。这将是给主角展示能力的合理依据，不仅是反省，更是自强则国强的隐喻。

　　一场意外让达克（史蒂夫·麦奎因 Steve McQueen 饰）即将面临漫长而又痛苦的牢狱之灾，为了让丈夫免于受难，达克的妻子卡罗尔（艾丽·麦古奥 Ali MacGraw 饰）不惜牺牲色相，贿赂监狱的上层官员。果不其然，达克获得了特别假释，与此同时，警长拜伦（本·约翰逊 Ben Johnson 饰）告诉达克，作为交换，他必须帮他一个“小忙”——抢劫一间银行！
　　迫于拜伦的淫威，达克只能就范，然而，他并不知道的事，拜伦的内心里早已经判了自己死刑，他根本就没有想让达克或者离开犯罪现场。和达克一起行动的是一位名叫鲁迪（艾尔·勒提埃里 Al Lettieri 饰）的男子，他的想法同拜伦不谋而合。在这样腹背受敌的危险状况之下，达克能否顺利完成任务呢？

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.