特警使命之狙击风暴

清朝末年，一代宗师太极拳高手杨崇武（于海 饰）一家隐居杭州西子湖畔。杨崇武与妻子慧娘（胡慧中 饰）晚年喜得贵子杨学文（吴京 饰）。学文自幼天资聪慧，生性好武，而杨父怕他惹事闯祸，每日督促儿子苦读诗书，不准他外出。学文暗中偷学父亲的太极拳，并自创了一套辫子神功，平日勤加苦练，习得一身好武功。
　　适逢钱塘江边举行祈雨祭祀，学文和表弟偷偷前去参加龙王祭。在祭典上，学文遇见了留洋归来的千金小姐曹央云（钟丽缇 饰），学文一见钟情。为了追求央云，学文参加了革命党。他的辫子神功在禁鸦片运动中大显神威，学文与央云感情日益加深。然而向中国走私鸦片的帝国主义分子却并不善罢甘休，暗中设下阴谋诡计，一场殊死搏斗旋即展开。

　　四个狂爱卡丁车的孩子收到了神秘的邀请，要到古老的城堡中参赛，但条件是每个人之间不仅要相互信任，更要抛弃原有的骄傲、自我甚至争强好胜，

　　《红色警戒》是一部有关缉毒题材的悬念动作影片，故事取材于永泰一个农村家庭发生的真实故事，并在福州大量取景。主角王力因童年阴影，从警校退学后当外卖员，因兄弟孙昭和女友白美丽而卷入毒奶茶事件，发现竟与19年前父母的死有关，最终他战胜自己的恐惧心理，成为继承父亲遗志的一名缉毒警察。

　　出演 : 高倉健／池部良／三田佳子／松方弘樹／梅宮辰夫／菅原謙二／室田日出男
　　監督 : 佐伯清
　　終戦直後の浅草。戦地から戻った神津組の寺島は、露天商街の縄張り争いから新誠会と対立。やがて縄張り争いは激化し、寺島は客人の風間と共に新誠会に殴り込みをかける…。
　　高倉健の主演で人気を博した「昭和残侠伝」シリーズの第1作目。敵方の青年との対立と不思議な友情を交え、若き熱血親分の活躍を描く娯楽任侠映画。瓦礫だらけの街から、悪を根絶やしにするため、熾烈な戦いが繰り広げられる。ヒロインは三田佳子。シリーズに欠かせない池辺良もいい味を出している。殴り込みのシーンで流れる、高倉健自らが歌う「唐獅子牡丹」も大ヒットした。

　　一场意外让达克（史蒂夫·麦奎因 Steve McQueen 饰）即将面临漫长而又痛苦的牢狱之灾，为了让丈夫免于受难，达克的妻子卡罗尔（艾丽·麦古奥 Ali MacGraw 饰）不惜牺牲色相，贿赂监狱的上层官员。果不其然，达克获得了特别假释，与此同时，警长拜伦（本·约翰逊 Ben Johnson 饰）告诉达克，作为交换，他必须帮他一个“小忙”——抢劫一间银行！
　　迫于拜伦的淫威，达克只能就范，然而，他并不知道的事，拜伦的内心里早已经判了自己死刑，他根本就没有想让达克或者离开犯罪现场。和达克一起行动的是一位名叫鲁迪（艾尔·勒提埃里 Al Lettieri 饰）的男子，他的想法同拜伦不谋而合。在这样腹背受敌的危险状况之下，达克能否顺利完成任务呢？

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.