锡尔弗顿之围

　　黑帮继承人之间为了争夺下一任社团领袖之位在地底展开厮杀，却引出某种未知的生物,这是作家夫妻二人笔下的故事，也是他们现实生活的映照，小说中的角色要在虚构的世界对抗未知的怪物,而作家夫妻二人能否在真实世界对抗已知的痛苦?一切,都交给爱去解答。

片讲述咗刑满释放后嘅蒋小石唔思悔改，假借开“梦幻山庄”作掩护，骗取咗香港女老板2000万蚊嘅投资，喺山庄内藏嘅一个天然地下溶洞开设咗非法个地下娱乐场。以D高薪招聘、暴力到威胁等不法“乸渣”架手段致使啲靓女仔误入陷阱。为去到控……

　　四个狂爱卡丁车的孩子收到了神秘的邀请，要到古老的城堡中参赛，但条件是每个人之间不仅要相互信任，更要抛弃原有的骄傲、自我甚至争强好胜，

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.