谋杀疑云

　　在浩瀚的宇宙间，有颗名叫“幻域”的星球，上面生存着一支古老的智慧物种。这个种族文明程度极高、而且心地善良，派遣族人穿梭在宇宙间的其他星球上，专为各个星球上的人们了却恒久的执念，在地球上，他们被称为“诛念师”。

　　黑帮继承人之间为了争夺下一任社团领袖之位在地底展开厮杀，却引出某种未知的生物,这是作家夫妻二人笔下的故事，也是他们现实生活的映照，小说中的角色要在虚构的世界对抗未知的怪物,而作家夫妻二人能否在真实世界对抗已知的痛苦?一切,都交给爱去解答。

　　《天启大爆炸》以中国古代曾真实发生的神秘爆炸为原型，加以天马行空的巧妙构思，为观众解封至今困惑世人的隐秘真相。神秘机构“夜行司”追踪离奇谜团勇闯“无相城”，一场关乎百姓苍生命运博弈就此展开。

《神兵特攻》的故事发生在一个科技高度发达的未来都市。曾经的出色保镖龙威失去妻子后带着受伤的女儿隐居海外，一次见义勇救下了科技公司技术员艾米，对方邀请他到公司参与新产品武装机甲的测试。面试过程中公司启用了最先进的虚拟现实技术。在虚拟现实世界里，龙威为了挽救艾米等科研人员的生命，踏上了未知的梦境之旅…

某市发生一起奇怪的交通肇事逃逸案，刑警队长王金刚在查案时，发现该案件谜团重重，通过复杂线索，又牵扯出恶势力偷盗国家原油案件，发现幕后黑手郑氏兄弟。在查找证据和追捕的过程中，正邪之间展开了一场生死对决。

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.