◎1975奧斯卡最佳外語片
　　◎1974紐約影評人協會最佳導演及最佳影片
　　三月，空氣中紛飛飄揚著輕軟絮草，教堂的鐘響迴盪在石板路上，小鎮的春天就此揭開序幕。時序回到三零年代亞德里亞海邊的小城，墨索里尼的極右理想仍是信奉的教條，建築工人老爸、家庭主婦老媽、遊手好閒的舅舅、頑皮的小弟，男孩在天主教、法西斯和義大利傳統家庭價值中，迎接他的青春與成長。教室裡捉弄老師的惡作劇、教堂裡擔心手淫的懺悔、鄉村海邊的熱鬧婚宴，費里尼從容隨意地摘選擷取小鎮生活的切片與軼事，密密織就一片記憶之網，在時代洪流與個人思憶之間相互輝映。
　　費里尼曾說：「一個人所能做的紀錄，永遠是，也只能是對他自己的紀錄」。《阿瑪珂德》不但被推崇為其個人寫實語法的代表作，也被視為他最重要的自傳作品之一。影片一方面帶領觀眾走進費里尼的童年生活，看見他純真誠摯、幽默風趣的情感源頭。在時代景況的描繪上，也跳脫了純粹客觀、歷史觀察式的審視與檢驗，從最根本的生活細節著手，真實地重現了二次大戰前後義大利境內法西斯的樣貌。
　　有趣的是，在《阿瑪珂德》中，我們也可清楚地看到費里尼對女性形象的思索與著迷，聖母、烈女、蕩婦的三位一體，母親與妓女形成了互為表裡的對比，而費里尼作品中一再出現的、體態豐腴、巨大的女體，不但是哺育孩童的母性泉源，也是青年性啟蒙的開端。

画家皮埃尔·博纳尔有众多缪斯，其中如果没有神秘的玛莎，他就不会成为今天的著名画家。假扮成身败名裂意大利贵族的玛莎，让皮埃尔·博纳尔疯狂迷恋。然而她不知道，自己很快就会成为一部传世巨作的主角。

　　本剧是对《同志亦凡人》英国原版的重塑，故事发生在美国新奥尔良，讲述一群朋友的生活在一场悲剧后发生了改变。

　　Sebastian, an up-and-coming Mexican actor, seems to have it all until he is thrown back into the tortuous world of dating, only to realize he has zero dating "game". Forced into the arms of his crew of leftover best bros, he discovers he's not the only ill-fated millennial struggling to find love.

　　Sebastian pays tribute to a previous girlfriend, trying to produce the movie that she inspired him to write.  He enlists Natalia, an empathic producer and his right hand, to help produce the film for which they struggle to find funding.  Ultimately they decide to stage a play based on the script. Still hurting from his recent loss, Sebastian decides that he can’t start a new relationship. He goes in the opposite direction and takes irresponsible bachelorhood to the extreme. Success and fame open the door to encounters with all types of women who seem to fill the void that is becoming increasingly apparent in Sebastian’s life. Throughout this journey, Sebastian becomes even closer to Natalia.  She is his friend and partner but there is an undeniable romantic tension. Blinded by his career and newfound relevance, Sebastian loses touch with his romantic nature. After bottling up their feelings, during a night of drinking Sebastian and Natalia cross a line.  While Sebastian wonders if they made a mistake, Natalia feels ready for a relationship.

　　Sebastian pays tribute to a previous girlfriend, trying to produce the movie that she inspired him to write.  He enlists Natalia, an empathic producer and his right hand, to help produce the film for which they struggle to find funding.  Ultimately they decide to stage a play based on the script. Still hurting from his recent loss, Sebastian decides that he can’t start a new relationship. He goes in the opposite direction and takes irresponsible bachelorhood to the extreme. Success and fame open the door to encounters with all types of women who seem to fill the void that is becoming increasingly apparent in Sebastian’s life. Throughout this journey, Sebastian becomes even closer to Natalia.  She is his friend and partner but there is an undeniable romantic tension. Blinded by his career and newfound relevance, Sebastian loses touch with his romantic nature. After bottling up their feelings, during a night of drinking Sebastian and Natalia cross a line.  While Sebastian wonders if they made a mistake, Natalia feels ready for a relationship.

　　《你好生活》第二季将带领观众完成一场关于生活的旅行，以年轻活力的青春视角，展现生活之美，探寻生活智慧。露天的音乐会，星空下的篝火，闪着泪光的笑容，辽阔草原上的歌声。向生活说一声你好，和综艺频道来一场温暖走心的旅行。综艺频道11月4日晚20:30档播出， 央视网，腾讯视频同步播出

　　1946年二战后的意大利，女性地位依旧低下。底层女性迪莉娅（宝拉·柯特莱西 Paola Cortellesi 饰），每日在丈夫的暴虐下和生活琐碎中艰难生存，唯有女儿玛塞拉、朋友玛丽莎和每日难得的自由踱步是她痛苦生活中的慰藉……这时，迪莉娅意外收到一封神秘信件，一场出逃即将改变一切……

佩德罗-德-托罗和他的家人住在一个隐蔽的地方，一个拥有尖端技术的房子/掩体里。佩德罗想离开他用自己的财务知识帮助过的贩毒集团，这是他计划好的一切结束的夜晚。患病的10岁女孩莉娜突然来到安全屋，与此同时，一群将高科技与中世纪武器相结合的职业刺客也来到了安全屋。德托罗的家人似乎将被卡特尔屠杀，直到他发现凶手的目的：杀死无辜的女孩--这个女孩真的是一个无辜的孩子吗？