义本无言

在国民党搜捕、屠杀的白色恐怖下，武装起义的浪潮再次高涨。而军阀割据，各方角力的川东地区，也在酝酿着一次起义。时任川军邓锡侯部第7混成旅旅长的旷继勋，心怀革命理想。当他坚定地接过四川省委关于在蓬遂发动起义的命令时，江防军司令唐显也带着“肃清”“整编”的命令悄然而至；心怀不轨的军阀谢德轩随即做起了和事佬妄图大捞一笔。起义的部队不能丢，起义的时间更不能耽误，旷继勋顿时陷入到生死绝地。破釜沉舟的不懈努力，终于找到了破绽——浓雾夜色中的激战后，只留下捶胸顿足的唐显和谢德轩，而旷继勋早已率部成功挺进蓬遂，这是四川第一次武装暴动，并创建了中国工农红军四川第一路军，随后建立了四川第一个县级红色政权蓬溪县苏维埃政府。

片讲述咗刑满释放后嘅蒋小石唔思悔改，假借开“梦幻山庄”作掩护，骗取咗香港女老板2000万蚊嘅投资，喺山庄内藏嘅一个天然地下溶洞开设咗非法个地下娱乐场。以D高薪招聘、暴力到威胁等不法“乸渣”架手段致使啲靓女仔误入陷阱。为去到控……

乔夫原为修道院的马僮，某日偶然发现一个秘密：原本已绝种的龙，竟然还有一只还存在，于是乔夫和这只名叫德瑞克的龙成为了好友；此时，来自中国的关师父和莉安，揭露了龙的秘密，原来在双尾彗星返回之际，一股古老邪恶的力量，将利用龙的心统御人类。德瑞克通过了关师父的考验，证明了他的本质毫无邪恶的成份，于是关师父开始训练德瑞克喷火和喷冰，预备对付邪恶的力量，但真正可怕的秘密，却在此时揭露……

　　当年以演侠盗著称的动作巨星埃罗尔·弗林饰演绰号“海鹰”的英国海盗船长，在17世纪英国与西班牙作战时下令击沉了法国大使乘坐的军舰，并自行放走在舰上当奴工的一群英国俘虏，因而惹祸上身，但也因为他的正义和勇敢而赢得大使千金的爱情。

　　汤姆．伯兰吉尔监制主演的电视电影，题材比较冷僻，但导演克雷格．巴克莱仍然掌握住这个真实故事所具有的戏剧潜力，一方面拍出宗教族群的特殊人际关系，也适度表现了谋杀故事的神秘惊险气氛。故事描述一名摩门教的独自修行信徒，发现了西部教会的领导人布里格姆杨和其他长老将会被敌人阴谋杀害，于是尽一己之力来保护他们的生命。主演过不少宗教巨片的查尔顿．赫斯登以七十二岁的高龄演出摩门教的领袖，六十七岁的詹姆斯．科伯恩则饰演其中一名长老。

功夫少年少阳在“陈继武菊花石杯功夫自由选拔赛”中被他的对手宋健打败后。他感觉自己拿到比赛的冠军真的是不可能了。顿时，心灰意冷，一蹶不振。期间，他的姐姐思羽、师傅邱振龙、师兄子陆都在劝说和安慰他，试图让他走出失败的阴影。但是都无济于事。无奈他们只好让他自己先冷静思考一下。观看比赛回来后，华叔和金爷见了一面。金爷告诉他现在他需要……

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.