一代跤王

　　Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?
　　Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.
　　The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.
　　Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.
　　However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

威尔·斯潘和妻子丽莎的婚姻已经到达黄昏。一天，当他们前往妻子父母家，路过一家加油站时，妻子竟然神秘失踪了。 这一切让威尔心急如焚，他让当地警察和丽莎的父母不顾一切地找到她，但随着时间的流逝，他成了妻子失踪案的最大嫌疑人...
他必须亲自处理事情，在警察和犯罪双重夹击下，他能找到妻子吗

为报杀妻之仇，凯尔（尚格·云顿 jean-claude van damme 饰）当庭打死了收买法官而被判无罪的凶手。事后凯尔被判终身监禁，羁押于俄罗斯的“科拉瓦维”监狱。这是一座极其腐败的监狱，监狱长不但想法设法从犯人身上搜刮钱财，而且组织罪犯进行格斗比赛来取乐和赌钱，凯尔因抵触监狱长的恶行屡次被关禁闭。面对残酷的现实，为了能够生存下去，凯尔最终参与到这场游戏当中，成为监狱里的格斗王，沦为监狱统治者谋取利益的工具。狱友比利（克里斯·莫伊尔 Chris Moir 饰）的死让迷失自我的凯尔醒悟过来，在室友“野蛮人”的帮助下，他们开始了一项复仇计划……©豆瓣

为追寻杜枭埃斯科瓦尔的宝藏，犯罪分子追随迈阿密黑大佬阿维·哈达德奔赴哥伦比亚，蛰伏于继承人村附近。律师桑迪·罗斯因一场案件被迫同行，她心底的秘密如暗影随行，正悄然酝酿着足以摧毁一切的危机