新免武藏（三船敏郎饰）与好友本位田又八（三国连太郎饰）为出人头地，参加了关原之战，但武藏这一方遭遇惨败。两个人逃亡途中迷路，幸得阿甲（水户光子饰）和朱实（冈田茉莉子饰）母女相救。武藏拒绝了朱实的求爱，独身返回故乡美作，又八则抛弃老家的爱人阿通（八千草薰饰），与阿甲结合。武藏强闯关卡被官兵通缉，又八的母亲亦因为看不到儿子愤恨不已，武藏成了众矢之的。关键时刻僧人泽庵（尾上九郎又兵卫饰）搭救武藏，将其吊在树上磨练意志。一代宗师宫本武藏开始经历人生第一个磨难……
在浩瀚的宇宙间，有颗名叫“幻域”的星球，上面生存着一支古老的智慧物种。这个种族文明程度极高、而且心地善良，派遣族人穿梭在宇宙间的其他星球上，专为各个星球上的人们了却恒久的执念，在地球上，他们被称为“诛念师”。
片讲述咗刑满释放后嘅蒋小石唔思悔改，假借开“梦幻山庄”作掩护，骗取咗香港女老板2000万蚊嘅投资，喺山庄内藏嘅一个天然地下溶洞开设咗非法个地下娱乐场。以D高薪招聘、暴力到威胁等不法“乸渣”架手段致使啲靓女仔误入陷阱。为去到控……
天下会帮主雄霸（千叶真一饰）欲得天下，请神算泥菩萨（黎耀祥饰）批算，泥菩萨预言他的前半生：“金鳞岂是池中物，一遇风云便化龙。”于是雄霸下令找两名孩童收为徒弟，他们生辰八字要与批示相符，以助雄霸大业。他们就是聂风（郑伊健饰）和步惊云（郭富城饰），但实际上二人都与雄霸有不共戴天之仇。风、云与大师兄秦霜及雄霸女儿孔慈（杨恭如饰演）成长成人，习得一身好武艺，天下会几乎称霸武林。惟有死对头剑圣让雄霸不放心，但“成也风云，败也风云”，雄霸开始以女人为工具对付聂风和步惊云，并造成孔慈之死。逃走的步惊云为楚楚（舒淇饰演）所救回。步惊云、聂风携手对付雄霸……
《危急营救》剧情讲述了成龙和兄弟大力是卧龙山的两个穷小子，为了生活，二人决定去城里发展，二人去城里以后做起了帮忙要账的工作，无意中卷入一场家族绑架案，兄弟俩凭着自己未泯的良心，没有向金钱屈服，最终惩治了头目并解救了小女孩依依。两人也从替人要债的地痞，转变为“知荣知耻的新人”。影片主题鲜明，立意明确，人物之间的矛盾冲突强烈，通过喜剧演员与特型演员的演绎，故事有嬉笑怒骂的冲突，也有感动流涕的情节，多条线索交织，整体轻松，有颇多逗趣之处。
一场意外让达克（史蒂夫·麦奎因 Steve McQueen 饰）即将面临漫长而又痛苦的牢狱之灾，为了让丈夫免于受难，达克的妻子卡罗尔（艾丽·麦古奥 Ali MacGraw 饰）不惜牺牲色相，贿赂监狱的上层官员。果不其然，达克获得了特别假释，与此同时，警长拜伦（本·约翰逊 Ben Johnson 饰）告诉达克，作为交换，他必须帮他一个“小忙”——抢劫一间银行！ 迫于拜伦的淫威，达克只能就范，然而，他并不知道的事，拜伦的内心里早已经判了自己死刑，他根本就没有想让达克或者离开犯罪现场。和达克一起行动的是一位名叫鲁迪（艾尔·勒提埃里 Al Lettieri 饰）的男子，他的想法同拜伦不谋而合。在这样腹背受敌的危险状况之下，达克能否顺利完成任务呢？
Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop? Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
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