在斯蒂芬.路德医院的儿童看护房里，位于移植名单首位9岁的山姆.库佩正在等待着他的新肝脏。他的妈妈40岁的丽莎.库佩心脏手术的主任医师尽管每天都在拯救病人的生命，却不能救她的儿子，而感觉非常无助。当仅存希望的一个肝脏，在运输的路上损坏后，选择非法途径的肝脏成为了她的唯一选择。她抛弃了她一生都在致力于的医学系统，秘密地去了一个不知名的非洲国家的New Day 诊所。在一个废弃的墙的背后，山姆被作为人质，迫使丽莎为一个美国的有钱人62岁的克莱顿.泰勒做心脏移植手术。丽莎的希波克拉底誓词和她的母性的爱在手术桌上吉利的地征战着。当得知为了此手术，所要得的一个心脏，她要拿去一个年幼无知的小女孩的生命去换回山姆时，她立刻认识到，在这个游戏中一些人的生命的价值要比其他人还重要。

　　本片是关于年轻漂亮的雅埃莉的故事。她生活在死海边的一个小镇上，职业是照顾皮肤病人。她的房子很小，有两个小卧室，其中一个属于她不在家的母亲，已经空了很久。只是就在此时，野蛮的盗贼侵入了这个房子。门被打开了，但生活却无法继续下去了。由于本来就无所谓，她自己也成为了女盗贼。这个启示将引导她救赎她的灵魂、她的思想、她的渴望和她成长的能力。

　　美国的小众独立电影，讲述了便士多店小店员但丁（布莱恩·奥哈罗兰 Brian O'Halloran 饰）郁闷抓狂的一天。过了睡眠质量极差的一晚后，但丁大清早被老板叫去加班。这只是倒霉的一天的起始，接下来，还有更多麻烦事情接踵而至，开店门、喷标语、遇见唠叨的反吸烟人士阻挠店面生意。一个头两个大的但丁，还要和前来店铺的女朋友维罗尼卡（玛丽莲·吉格洛尔蒂 Marilyn Ghigliotti饰）交流性生活经验。结果落得个不欢而散，因为女朋友拥有过的性伴侣数目实在令但丁叹为观止。
　　麻烦事还是一桩接一桩，这时前女友的到来令但丁的心狠狠振作了一下。他的艳遇到了，似乎终于可以扫走霉运。可是，卫生间内的“奇遇”，又摧毁了这件美好的事情。

　　从小，方托马斯（让•马莱 Jean Marais 饰）就爱搞恶作剧。不过，死对头瑞夫警长（路易•德•菲耐斯 Louis de Funès 饰）一直希望抓他归案。为了给后者一个下马威，方托马斯绑架了科学家马尔尚。记者方尔多和未婚妻艾莱娜报道了此事。罗马科学大会即将召开，为了防止方托马斯前来捣乱，瑞夫警长率领手下开始了声势浩大的搜捕行动。在列车上，方托马斯依靠出众的易容术，不但躲过了这些追查自己的耳目，而且还戏弄了瑞夫警长。科学大会如期召开，记者方多尔认为方托马斯这次前来是为勒菲夫教授而来，因为后者跟马尔尚可以共同完成秘密武器的研制，于是方多尔也扮作勒菲夫，引诱方托马斯上钩，但没成想，他们都中了方托马斯的计中计……
　　本片根据法国作家皮埃尔•苏维德和马塞尔•阿兰的小说改编，为方托马斯“三部曲”中的第二部。本片是喜剧大师路易•德•菲耐斯继《虎口脱险》的又一力作。

　　一名来自巴黎郊区的青年中心领袖成为总统大选的候选人。然而，法国真的准备好迎接黑人总统了吗？

　　2022年12月，一群人抵达奥斯陆机场。有些人是为了迎接他们的亲人，有些人是为了回家与家人团聚，有些人是为了逃离圣诞节。但无论原因是什么，他们的圣诞任务都出了差错。这群人都被困在机场，时间一分一秒地流逝。距离圣诞节只有 24 小时，他们该怎么办？

法国新导演安托万·胡斯巴克的新片，是他的社会阶段三部曲第一部，讲一位失业中年大叔，找不到工作一步步抑郁到想自杀的故事，丧到触底。剧本和整体的叙事节奏很出色，像剧作和主题层面上史蒂芬·布塞和达内兄弟的混合体。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...

　　一面应对多份工作，一面追求一炮而红——单口喜剧这条路可不好走。但这四个朋友将不惜一切，只为博得人们一笑

　　影片是色情与科幻的结合，芭芭丽娜是公元四万年的女詹姆斯·邦德，专门收服太空星系中的妖魔鬼怪。当她被逼降落在一个星球时，她要面对一个同性恋的邪恶皇后、盲眼的英俊天使等等。

　　森林学校迎来崭新的一天，猫头鹰教授匆忙赶到教师，学生们已经齐齐坐好。孩子们七嘴八舌，猜测今天将要讲什么，不过大家都没猜对。原来教授即将讲授的是乐器的历史。他先简略介绍了交响乐团的组成和分工，借着从原始人时代讲起，远古时代，人类演奏最初的音乐，他们已经用到了吹奏、打击、弹拨等不同的演奏形式。接着分门别类讲解，比如不断变长以及弯曲成各种形状的小号，其中包括它们的工作原理和历史演变沿革。当然，笛子、黑管、单簧管、萨克斯、提琴、定音鼓等乐器的发展历程也得到简明扼要的介绍。
　　这是一部真正寓教于乐的短片。

　　琼·格雷兹（Joan Gratz）1992年制作完成的动画短片《蒙娜丽莎从楼梯上走下来》获得了当年奥斯卡动画片大奖。为了制作此片琼·格雷兹还开发了一项新的绘画技巧，直接在摄影机下利用颜料进行创作。在作品中可以看到30多位世界名画家的作品利用渐变的方式联系在了一起，具有独特的视觉效果。

　　瑞内是一位和自己12岁儿子住在一起的单身母亲，瑞内最大的恐惧就是蜘蛛。母子俩不知道的是，他们的一举一动都被偷偷的监视着。一天瑞内的车突然坏了下车检查时被一帮人粗暴的绑架而去。24小时后，瑞内发现自己被带到了实验室里，这里充斥着瑞内最害怕的蜘蛛。绑架瑞内的人告诉她，她特殊的基因可以激发她身体里的变异潜能并将这种异能完全的挥发出来。而唯一能够激发这种潜能的方法就是要忍受自己心里最可怕的恐惧。

影片讲述三位社交媒体的受害者向科技巨头宣战。