在亚当（阿什顿•库奇 Ashton Kutcher 饰）的成长经历中，艾玛（娜塔丽•波特曼 Natalie Portman 饰）总是时不时的出现，所以两个人可以算是朋友。一次，亚当探望自己明星父亲时发现，父亲居然和自己的前女友同居了，这让亚当无论如何也不能接受，在遭遇情感的重创之后，亚当决定要随便找一个女性朋友上床发泻抑郁。宿醉的亚当醒来之后，发现自己居然裸着身体在艾玛家里，在达成“只谈性不谈爱”的协议之后，两人便开始时不时的幽会。随着时间的推移，亚当发现自己似乎对身边这个特立独行的女孩动了心，但是艾玛却表示不能接受亚当的爱意，所以他们最终决定结束这种关系。但是，分手之后二人才发现，他们早已习惯了彼此……

　　一伙年轻盗贼(西恩威廉史考特等)举办了一场疯狂的摇头派对掩人耳目，他们计划暗中窃入隔壁的银行盗取现款……由于音波互相干扰，警铃声响将被抵销……
　　班被债主迫得走投无路，决定与几名友人爆窃银行。他们开了场疯狂的摇头派对掩人耳目，然后溜进隔壁的银行偷窃，利用音波互相干扰来抵销警铃声响。怎料波折重重，这群笨贼屡次失手，国际刑警突然出现，死对头又走来搞破坏……

　　探索了扬科维奇生活的方方面面，从他以《吃吧》和《像外科医生》等早期热门歌曲迅速成名，到他炙手可热的名人恋情和著名的堕落生活方式。

　　Actor Ryan Banks's manager and old friend, Todd (Bradley Cooper), comes up with the idea to have Ryan (Priestly) be the bachelor on a reality TV dating show in order to clean up his image. The only problem is, Todd falls in love with Charlie (Emma Caulfield), the girl Ryan has chosen to propose to.
　　
　　CCTV 1 2006年4月30日

　　夜班护士爱伦（霍普·戴维斯 Hope Davis 饰）最近刚刚度过了一场感情的风波，与前男友分手后，她发现自己陷入了一片迷茫。了解到女儿的困扰，母亲心生一计，代替她发布了一则征婚启事。结果，这一行动引起了意想不到的反响，一大群追求者涌入她的生活。然而，经历了一连串的约会后，爱伦开始对男人失去信心。让她感到沮丧的是，很多约会都充斥着口不对心的场景，让她对爱情的美好产生了怀疑。夜以继日的工作，让她更加沉溺于繁忙的医护生涯，为了逃避感情的波折。
　　与此同时，水族馆打工的艾伦是个进取的年轻人，半工半读。在学业和工作的双重压力下，他正在努力追求自己的目标。然而，他也陷入了感情的纷争，正当他准备接受一位风骚女同学的追求时，却发现她已经与教授有了染指。在屡战屡败的爱情路上，爱伦和艾伦偶然相遇。这次的相遇是否能为他们带来转机，让他们共度余生呢？

　　In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
　　imdb comment

全球狂销电玩游戏《侠盗猎车手V》配乐霓虹印地安打造复古迷幻电子乐。阿比的意识被困在沙发动弹不得，他打着电动、说着话，必须想办法破关离开沙发。1999年，千禧虫危机近在眼前，一无是处的废宅阿比宅在客厅沙发上，接受哥哥凯姆提出的各种荒谬挑战。哥哥开出的最终大魔王挑战——将号称“不可能破关”的经典游戏小精灵第256关给破关，否则不准离开沙发！但小精灵的第256关在程式设计上有着先天的漏洞，不论如何玩到最后总会当机，即便如此，阿比仍然接受了这项不可能成功的挑战，他将拿出废宅的毅力，窝在沙发上打电动、继续打电动、不停打电动……